Wilde’s The Canterville Ghost: A Ghost Story that Refuses to be Gothic

Ghosts, we are told, ought to terrify. They ought to shuffle about in winding sheets, rattle chains, and mutter warnings about imminent doom. In the long Gothic tradition - from Horace Walpole’s Otranto to the shadowy corridors of Mrs Radcliffe - apparitions exist to unsettle our digestion and our theology in equal measure. Yet Oscar … Continue reading Wilde’s The Canterville Ghost: A Ghost Story that Refuses to be Gothic

Wilde’s Salomé: A Decadent Dance with Death

It’s almost too neat that Salomé should have been written in French. The language of Baudelaire, Mallarmé, and decadence itself lent Wilde the perfect tongue for blasphemy dressed in silks. The Victorians expected their theatre to teach morality, to improve the soul, to extol duty. Wilde offered them instead a necrophilic waltz in candlelight, where … Continue reading Wilde’s Salomé: A Decadent Dance with Death

St. George, the Dragon, and the Colours We Raise

There he stands - or rather, rides - our St. George, spear braced, horse rearing, dragon writhing beneath (featured image below). It’s an image both timeless and terribly timely. Though centuries have passed since this tale was first illuminated in parchment or carved into stone, its symbolic force remains more urgent now than ever. For … Continue reading St. George, the Dragon, and the Colours We Raise

All Roads Lead Back: On Darwish, Memory, and the Futility of Forgetting

Mahmoud Darwish once wrote: ‘All roads lead to you, even those I took to forget you.’ On first reading, it sounds like the lament of a man caught in the undertow of lost love, circling endlessly back to the figure he most wishes to escape. But linger with it a while, and the line grows … Continue reading All Roads Lead Back: On Darwish, Memory, and the Futility of Forgetting