The Legion in the Swine: A Short Sermon on Empty Souls and Borrowed Flesh

Some passages in Scripture read like thunder: sharp crack, sudden light, then a silence in which something ancient vibrates in the bones. The story of the Gadarene demoniac is one of them. A naked man shrieking among the tombs; chains snapped like wet wool; a village too afraid to bury its dead without one eye … Continue reading The Legion in the Swine: A Short Sermon on Empty Souls and Borrowed Flesh

All Day on the Sands: A British Passion Play in Dripping Cardigans

Alan Bennett has never quite been my usual flavour — a bit too cardigan-and-cucumber-sandwich for my tastes. And yet All Day on the Sands, this modest, meandering little play, has fastened itself to me like damp sand between the toes. I suspect it’s because these were precisely the sort of ‘holidays’ we had when I … Continue reading All Day on the Sands: A British Passion Play in Dripping Cardigans

The Laughing Maw: A Fool, His Blind Eye, and the Human Condition

Jacob Cornelisz van Oostsanen (attributed), The Laughing Fool, c.1500–1510. Oil on panel. Rijksmuseum Twenthe, Enschede. In art some faces smile, and some rupture. Faces that split open into something older than laughter and far more dangerous. The Laughing Fool belongs among these ruptures. He greets the viewer not with the civility of portraiture but with … Continue reading The Laughing Maw: A Fool, His Blind Eye, and the Human Condition

The Queen in Two Pieces: Mary I, Embalming, and the Illusion of Dignity

I suppose I should confess at the outset that my interest in Queen Mary I’s embalming didn’t spring from some lofty academic impulse, but from years spent in the trade myself — years of sewing mouths shut, persuading stubborn limbs into positions they hadn’t attempted since the Thatcher era, and discovering that even the most … Continue reading The Queen in Two Pieces: Mary I, Embalming, and the Illusion of Dignity