The Ugly Duchess (c. 1513) by Quinten Matsys. The National Gallery, London. Public domain image. When I first looked at Matsys’ An Allegory of Folly (see previous post), I remember thinking that the jester’s cap was the most honest crown mankind ever designed. A fool’s bauble, yes — but at least it declared what kings … Continue reading The Ugly Duchess: A Comedy of Flesh and Folly
Author: Robert
A fifty-something, retired Celestial Travel Agent and Afterlife Preparation Specialist. Walked many paths; some good, lots bad. Meandering through a difficult past, plodding in the present, crawling toward the future. I've studied English Literature, and hold a BA (Hons) Hum. (History & Art History) & MA (Humanities with English Literature)
An Allegory of Folly
Quentin Matsys, An Allegory of Folly (c.1510–1520, Musée du Louvre, Paris). Public domain. Folly, that eternal fool in mankind’s court, is rarely so vividly dressed as in Quentin Matsys’ An Allegory of Folly. Painted in the early sixteenth century, when Europe was still shaking off the medieval habit of believing its own sermons, this grotesque … Continue reading An Allegory of Folly
The Devil in the Duomo: Reflections on the Monster of Florence
They say every paradise has a pit beneath it. Florence, for me, has always shimmered like a painted heaven — that impossible marriage between reason and rapture. As a child, I was bewitched by her domes and frescoes, the polished glow of Botticelli’s Venus, and the ghostly gaze of Savonarola who once tried to burn … Continue reading The Devil in the Duomo: Reflections on the Monster of Florence
The Darkling Thrush
Some poems sound like bells tolling at the turn of an age, and Thomas Hardy’s The Darkling Thrush is one of them. Written on the eve of the twentieth century, it stands like a weathered milestone between centuries — one hand resting on the grave of the Victorian world, the other reaching hesitantly toward the … Continue reading The Darkling Thrush
Night and Day: The Devil’s Auction and the Radiant Company
Otto Greiner (1869–1916), Die Feilbietung (The Sale), 1898. Lithograph, 25 × 20 cm. Public domain.The devil as auctioneer, mankind as eager bidder - Greiner’s vision of damnation is less warning than mirror, a Halloween reminder that we often sell ourselves far too cheaply. Night and day belong together. One can’t savour dawn without knowing what … Continue reading Night and Day: The Devil’s Auction and the Radiant Company
Wording 