Following on from yesterday’s reflection on Corpse Bride, I found myself still wandering through Tim Burton’s haunted imagination — that candlelit corridor where love, death, and longing share the same heartbeat. If Corpse Bride was his requiem for romance, A Nightmare Before Christmas is his hymn to the restless artist — the skeleton who, having … Continue reading A Nightmare Before Christmas: The Gospel According to the Pumpkin King
Category: Artwork
The Gift of the Spider
Have a Spider by John Kenn Mortensen (b. 1978).© John Kenn Mortensen. Used here under fair dealing for the purposes of criticism and review (UK Copyright, Designs and Patents Act 1988, Section 30). The Spider and I There’s a peculiar irony in how often tarantulas are mistaken for spiders. They are, of course, spiders in … Continue reading The Gift of the Spider
The Forest That Feels: On Doré’s Inferno and the Suicide of the Soul
Gustave Doré, Inferno, Canto XIII: The Forest of Suicides, 1866.Wood engraving for Dante Alighieri’s The Divine Comedy (public domain image). When I first looked at Doré’s Forest of Suicides, I thought of winter trees after a storm - those half-living skeletons that creak when the wind passes through, as if remembering they were once alive. … Continue reading The Forest That Feels: On Doré’s Inferno and the Suicide of the Soul
Blind Pew: A Study in Terror and Vision
Newell Convers Wyeth, Blind Pew (1911).A haunting illustration for Stevenson’s Treasure Island: the blind beggar strides down the moonlit lane, stick thrust forward, half-frail and half-fearsome - fate itself tapping towards us. In another life, back at home, whenever something went awry - a cup chipped, a tool gone missing, a mystery mischief no one … Continue reading Blind Pew: A Study in Terror and Vision
The Misery: Whispering Ghosts and the Pistol on the Table
Adolf Werner (1862–1916), The Misery, c. 1900. Public domain. Some paintings merely decorate a wall, and some paintings accuse you from the other side of the room. Adolf Werner’s The Misery (c. 1900) is firmly in the second category. It doesn't flatter the parlour, nor charm the eye with pastoral pleasantries. It leans forward, ghost on shoulder, and … Continue reading The Misery: Whispering Ghosts and the Pistol on the Table
Wording 