The Party on the Stairs: Ghosts in Petticoats and the Stumble of Innocence

Adelaide Sophia Claxton, The Party on the Stairs (c. 1875). Watercolour with bodycolour, 50 × 45 cm. Public domain. Image via Wikimedia Commons. The staircase is one of those odd places in a house where something uncanny always threatens to happen. One’s neither in the drawing room nor the bedroom, but somewhere in the thin … Continue reading The Party on the Stairs: Ghosts in Petticoats and the Stumble of Innocence

Maugham’s Cakes and Ale: On the Sacred Art of Not Taking Oneself Too Seriously

There are books one reads, and books one is quietly read by. Somerset Maugham’s Cakes and Ale falls into the latter camp - it observes you from over the rim of its brandy glass, raises a bemused eyebrow, and says absolutely nothing. Not because it’s shy, but because it knows better than to interrupt the theatre of … Continue reading Maugham’s Cakes and Ale: On the Sacred Art of Not Taking Oneself Too Seriously

Bearing the Broken: Van Gogh’s Good Samaritan and the Art of Endurance

Art imitates life, or so I’m told, but in The Good Samaritan by Vincent van Gogh, life doesn’t just inspire the art - it bleeds into it. You can feel the strain in every brushstroke. This isn’t a tranquil tale of neighbourly virtue. This is what compassion looks like after the cameras stop rolling. After … Continue reading Bearing the Broken: Van Gogh’s Good Samaritan and the Art of Endurance