The Woman in the Wall: Madness, Marriage, and the Myth of Care

‘I’ve got out at last,’ said the woman behind the wallpaper. ‘And you can’t put me back.’ It begins, as all good horrors do, with a husband who means well. John is a physician, a man of reason and gentle authority, and therefore utterly unfit to understand his wife’s soul. He prescribes what men have … Continue reading The Woman in the Wall: Madness, Marriage, and the Myth of Care

The Orcs of Academia: On the Fall of Myth and the Rise of the Moron

I woke this morning to read that The Lord of the Rings ‘demonises people of colour.’ For a moment I thought I’d stumbled into a parody site, or perhaps Mordor had opened a diversity department. But no - this was genuine academic commentary, the sort of thing one now finds oozing from the lecture halls … Continue reading The Orcs of Academia: On the Fall of Myth and the Rise of the Moron

The Forest That Feels: On Doré’s Inferno and the Suicide of the Soul

Gustave Doré, Inferno, Canto XIII: The Forest of Suicides, 1866.Wood engraving for Dante Alighieri’s The Divine Comedy (public domain image). When I first looked at Doré’s Forest of Suicides, I thought of winter trees after a storm - those half-living skeletons that creak when the wind passes through, as if remembering they were once alive. … Continue reading The Forest That Feels: On Doré’s Inferno and the Suicide of the Soul

They All Love Jack: The Gospel According to the Gutters

I’ve long suspected that the Ripper mystery isn’t so much about one man’s madness as it’s about a whole empire’s mask slipping. You can smell the hypocrisy before you even open Bruce Robinson’s They All Love Jack. It’s the stench of gaslight and gin, of sanctimonious gentlemen who polished their Masonic jewels while the poor … Continue reading They All Love Jack: The Gospel According to the Gutters