Blind Pew: A Study in Terror and Vision

Newell Convers Wyeth, Blind Pew (1911).A haunting illustration for Stevenson’s Treasure Island: the blind beggar strides down the moonlit lane, stick thrust forward, half-frail and half-fearsome - fate itself tapping towards us. In another life, back at home, whenever something went awry - a cup chipped, a tool gone missing, a mystery mischief no one … Continue reading Blind Pew: A Study in Terror and Vision

The Archbishopric of Canterbury: From Augustine’s Cloak to Sarah’s Mitre

This piece has been a long time in gestation. Ever since Justin Welby announced his departure, I've found myself jotting notes, revisiting history, and anticipating the inevitable turn the Church of England would take. Today’s announcement is therefore no surprise - only the confirmation of what many of us had already suspected. It seemed fitting, … Continue reading The Archbishopric of Canterbury: From Augustine’s Cloak to Sarah’s Mitre

Time and the Old Women: Vanity with a Skeleton’s Smile

Francisco de Goya, Time and the Old Women, c. 1810–1820. Public domain. Francisco de Goya painted this nightmare somewhere between 1810 and 1820, during those black years when he’d gone deaf, half-mad, and wholly honest. The result is Time and the Old Women - a canvas in which social comedy collapses into a danse macabre. … Continue reading Time and the Old Women: Vanity with a Skeleton’s Smile

The Misery: Whispering Ghosts and the Pistol on the Table

Adolf Werner (1862–1916), The Misery, c. 1900. Public domain. Some paintings merely decorate a wall, and some paintings accuse you from the other side of the room. Adolf Werner’s The Misery (c. 1900) is firmly in the second category. It doesn't flatter the parlour, nor charm the eye with pastoral pleasantries. It leans forward, ghost on shoulder, and … Continue reading The Misery: Whispering Ghosts and the Pistol on the Table

The Vatican Cellars: Or, How to Build a Cathedral on Quick Sand

André Gide, that sly archbishop of paradox, published The Vatican Cellars in 1914 - the very year Europe began dismantling its cathedrals with artillery fire. It’s a book that calls itself a ‘sotie’ - a medieval farce performed by jesters in cap and bells - which is Gide’s way of saying, ‘This is a joke, … Continue reading The Vatican Cellars: Or, How to Build a Cathedral on Quick Sand