Adolf Werner (1862–1916), The Misery, c. 1900. Public domain. Some paintings merely decorate a wall, and some paintings accuse you from the other side of the room. Adolf Werner’s The Misery (c. 1900) is firmly in the second category. It doesn't flatter the parlour, nor charm the eye with pastoral pleasantries. It leans forward, ghost on shoulder, and … Continue reading The Misery: Whispering Ghosts and the Pistol on the Table
Tag: analysis
The Party on the Stairs: Ghosts in Petticoats and the Stumble of Innocence
Adelaide Sophia Claxton, The Party on the Stairs (c. 1875). Watercolour with bodycolour, 50 × 45 cm. Public domain. Image via Wikimedia Commons. The staircase is one of those odd places in a house where something uncanny always threatens to happen. One’s neither in the drawing room nor the bedroom, but somewhere in the thin … Continue reading The Party on the Stairs: Ghosts in Petticoats and the Stumble of Innocence
The Man in the High Castle: History as Hallucination
Some novels ask ‘What if?’ and there are novels that ask ‘What is?’ Philip K. Dick’s The Man in the High Castle manages the perverse trick of doing both at once. Set in a United States divided between Nazi Germany and Imperial Japan after an Axis victory in the Second World War, it ought to … Continue reading The Man in the High Castle: History as Hallucination
A Ghost in the Glass: Charlotte Brontë and the Churchyard Photograph
Haworth Churchyard photograph, John Stewart, c.1856–57. © Brontë Society. Sourced via annebronte.org. There’s a photograph - albumen print, sepia-toned, crisp with the shadows of headstones - that has set imaginations aflame for more than a century. It shows Haworth churchyard, with its lichen-bitten tombs and overhanging sky, a place where the dead vastly outnumber the … Continue reading A Ghost in the Glass: Charlotte Brontë and the Churchyard Photograph
Dreams That Wander Too Far: From Plato to The Further
Cinema, despite its thunderous claims to originality, is in truth a great necromancer. It raises the dead more often than it invents the living, and its spirits wear borrowed costumes even when paraded as new. When James Wan and Leigh Whannell conjured Insidious, they weren’t scribbling out some pristine mythology in a Hollywood boardroom but … Continue reading Dreams That Wander Too Far: From Plato to The Further
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