On Dandy Dick – Part One: Or, How to Ruin a Dean and Win a Race

Theology, gambling, and a horse named after a dandy – what could possibly go wrong? There are some things that should never mix: vicars and vodka, bishops and betting shops, or indeed, the very Reverend Augustin Jedd and anything with hooves. And yet in Arthur Wing Pinero’s frothy 1887 farce Dandy Dick, all these taboos … Continue reading On Dandy Dick – Part One: Or, How to Ruin a Dean and Win a Race

“Drop, Drop, Slow Tears” – A Meditation in the Margins

By a hopeless penitent with a bookshelf and a leaky conscience At the opening of Elizabeth Gaskell’s Ruth, before we meet the orphaned seamstress or the soft-hearted Bensons, we are met with tears. Not sentimental ones, but slow, penitential tears - each drop a silent argument for mercy. The chosen epigraph, “Drop, drop, slow tears”, … Continue reading “Drop, Drop, Slow Tears” – A Meditation in the Margins

Haunted, Harrassed, and Hard-Done-By: Susan Hill’s The Woman in Black

They say curiosity killed the cat, but if you ask me, it merely got the cat thoroughly spooked and left it clinging to the curtains like a caffeinated spider. Such is the effect Susan Hill’s The Woman in Black has on a reader: you pick it up thinking you’re in for a quaint little ghost … Continue reading Haunted, Harrassed, and Hard-Done-By: Susan Hill’s The Woman in Black

Confessions of a Shandean: Or, How I Came to Love a Book That Can’t Keep Its Trousers On

I must begin, dear reader, with a warning: Tristram Shandy is not a novel - it is a literary striptease performed by a madman with a feather quill and far too much time on his hands. Approaching it as one might approach a standard narrative is like bringing a map to a dream: utterly useless … Continue reading Confessions of a Shandean: Or, How I Came to Love a Book That Can’t Keep Its Trousers On