The Vatican Cellars: Or, How to Build a Cathedral on Quick Sand

André Gide, that sly archbishop of paradox, published The Vatican Cellars in 1914 - the very year Europe began dismantling its cathedrals with artillery fire. It’s a book that calls itself a ‘sotie’ - a medieval farce performed by jesters in cap and bells - which is Gide’s way of saying, ‘This is a joke, … Continue reading The Vatican Cellars: Or, How to Build a Cathedral on Quick Sand

Down Below: Leonora Carrington’s Descent into the Furnace of the Mind

Leonora Carrington didn’t so much write a memoir as vomit out an apocalypse. Down Below isn’t autobiography in the polite sense, with polite sentences arranged like cutlery for an afternoon tea. It is, rather, the table turned over, the crockery smashed, and the cutlery embedded in the wallpaper. This slim, feverish account of her psychotic … Continue reading Down Below: Leonora Carrington’s Descent into the Furnace of the Mind

The Ghost That Wasn’t There: On Hughes Mearns’ Antigonish

“Yesterday, upon the stair, I met a man who wasn’t there.” Thus begins one of the most famous fragments of verse ever to slip through the cracks of English literature - part nursery rhyme, part ghost story, part psychological confession. Hughes Mearns’ Antigonish (1899) was written in the playful spirit of nonsense, yet like all … Continue reading The Ghost That Wasn’t There: On Hughes Mearns’ Antigonish

A Ghost in the Glass: Charlotte Brontë and the Churchyard Photograph

Haworth Churchyard photograph, John Stewart, c.1856–57. © Brontë Society. Sourced via annebronte.org. There’s a photograph - albumen print, sepia-toned, crisp with the shadows of headstones - that has set imaginations aflame for more than a century. It shows Haworth churchyard, with its lichen-bitten tombs and overhanging sky, a place where the dead vastly outnumber the … Continue reading A Ghost in the Glass: Charlotte Brontë and the Churchyard Photograph