A Ghost in the Glass: Charlotte Brontë and the Churchyard Photograph

Haworth Churchyard photograph, John Stewart, c.1856–57. © Brontë Society. Sourced via annebronte.org. There’s a photograph - albumen print, sepia-toned, crisp with the shadows of headstones - that has set imaginations aflame for more than a century. It shows Haworth churchyard, with its lichen-bitten tombs and overhanging sky, a place where the dead vastly outnumber the … Continue reading A Ghost in the Glass: Charlotte Brontë and the Churchyard Photograph

How Much Land Does a Man Need? – Tolstoy’s Six-Foot Sermon

Tolstoy was always the moralist disguised as a storyteller. He couldn’t so much as describe a hayfield without planting in it a parable, and How Much Land Does a Man Need? is among his most ruthless little lessons. At its heart, it’s an absurdly simple tale: a peasant named Pahom believes that with just a … Continue reading How Much Land Does a Man Need? – Tolstoy’s Six-Foot Sermon

Wilde’s Salomé: A Decadent Dance with Death

It’s almost too neat that Salomé should have been written in French. The language of Baudelaire, Mallarmé, and decadence itself lent Wilde the perfect tongue for blasphemy dressed in silks. The Victorians expected their theatre to teach morality, to improve the soul, to extol duty. Wilde offered them instead a necrophilic waltz in candlelight, where … Continue reading Wilde’s Salomé: A Decadent Dance with Death