The Laughing Maw: A Fool, His Blind Eye, and the Human Condition

Jacob Cornelisz van Oostsanen (attributed), The Laughing Fool, c.1500–1510. Oil on panel. Rijksmuseum Twenthe, Enschede. In art some faces smile, and some rupture. Faces that split open into something older than laughter and far more dangerous. The Laughing Fool belongs among these ruptures. He greets the viewer not with the civility of portraiture but with … Continue reading The Laughing Maw: A Fool, His Blind Eye, and the Human Condition

The Naked Civil Servant: A Gospel According to Outrage

This book didn’t slip quietly into the world like a well-behaved parishioner. The Naked Civil Servant — Quentin Crisp’s scandalous act of cultural streaking, his autobiographical confession written with the dignity of a saint and the insolence of a man determined to rattle the tea trays of middle England. It’s a work so defiantly honest, … Continue reading The Naked Civil Servant: A Gospel According to Outrage

‘Madness is not to be despised and not to be feared, but instead you should give it life’. — C. G. Jung

Madness isn’t a visitor, Jung tells us — it’s a tenant. A hereditary lodger sealed into the house of the psyche long before we learned to speak. Most people spend their lives pretending they don’t hear it pacing upstairs. They turn the radio up. They shut the door with a polite smile. They medicate the … Continue reading ‘Madness is not to be despised and not to be feared, but instead you should give it life’. — C. G. Jung

The Devil in the Duomo: Reflections on the Monster of Florence

They say every paradise has a pit beneath it. Florence, for me, has always shimmered like a painted heaven — that impossible marriage between reason and rapture. As a child, I was bewitched by her domes and frescoes, the polished glow of Botticelli’s Venus, and the ghostly gaze of Savonarola who once tried to burn … Continue reading The Devil in the Duomo: Reflections on the Monster of Florence