“Repent, Harlequin!” – A Meditation on Time, Tyranny, and the Tick of the Clock

If I Have No Mouth, and I Must Scream is Ellison’s scream of despair, then “Repent, Harlequin!” Said the Ticktockman is his snarl of defiance. Where one story traps us in eternal torment beneath the circuits of a god-machine, this tale sets us against a more mundane, and in many ways more sinister tyrant: the … Continue reading “Repent, Harlequin!” – A Meditation on Time, Tyranny, and the Tick of the Clock

Dialectics, or How Karl Marx Ruined My Shandy

There are few things more dangerous to a peaceful evening than a Marxist in full flow. One minute you’re happily contemplating the head on your shandy, the next you’re being lectured about 'historical inevitability' by someone who’s never held a job long enough to be sacked. The conversation usually begins with the inevitable: “Dialectics is … Continue reading Dialectics, or How Karl Marx Ruined My Shandy

Invisible, My Eye – Reflections on Ralph Ellison’s Invisible Man

When Ralph Ellison published Invisible Man in 1952, America was still congratulating itself on having beaten the Nazis and saved democracy. Yet here was a novel calmly pointing out that a good chunk of its own citizens were treated as if they didn’t exist - or rather, as if they existed only when they could … Continue reading Invisible, My Eye – Reflections on Ralph Ellison’s Invisible Man

Gaslight and Gossamer: Reflections on Iolanthe and the Art of British Satire

There’s something deliciously subversive about walking into a Victorian comic opera knowing full well that you are about to be lampooned, along with everyone else in the room. Iolanthe has always struck me as a peculiar miracle - one of those rare works of art that wears its mischief lightly, yet rests on a foundation … Continue reading Gaslight and Gossamer: Reflections on Iolanthe and the Art of British Satire