The Vatican Cellars: Or, How to Build a Cathedral on Quick Sand

André Gide, that sly archbishop of paradox, published The Vatican Cellars in 1914 - the very year Europe began dismantling its cathedrals with artillery fire. It’s a book that calls itself a ‘sotie’ - a medieval farce performed by jesters in cap and bells - which is Gide’s way of saying, ‘This is a joke, … Continue reading The Vatican Cellars: Or, How to Build a Cathedral on Quick Sand

King & Conqueror: A Royal Mess of Mud, Murk, and Misfires

History, we’re often told, is written by the victors. But in the BBC’s latest offering, King & Conqueror, history is rewritten by screenwriters who appear to have skimmed a Wikipedia stub, lit a few candles in a cowshed, and declared themselves medievalists. The premise was promising. Harold Godwinson versus William the Bastard - England’s last … Continue reading King & Conqueror: A Royal Mess of Mud, Murk, and Misfires

The Ghosts That Britain Needed: A Reflection on Arthur Machen’s The Bowmen

I’ve always had a fondness for stories that creep in sideways. Not the grand, operatic ones that march on with banners flying, but the sort that slip in under the door, uninvited and half-mistaken for something real. Arthur Machen’s The Bowmen is precisely such a story - a modest tale of supernatural salvation that, with … Continue reading The Ghosts That Britain Needed: A Reflection on Arthur Machen’s The Bowmen

Through the Peephole: Henri Barbusse’s The Inferno

Lately, I find myself immersed in a sea of existentialist musings, possibly reflecting my own melancholic state of mind and sombre outlook on life. And the work I'm about to detail is hard to pin down to exactly which literary genre this introspective fluff belongs to - Existentialist? Modernist? Philosophical Fiction? Psychological Fiction? Perhaps it … Continue reading Through the Peephole: Henri Barbusse’s The Inferno