The Laughing Maw: A Fool, His Blind Eye, and the Human Condition

Jacob Cornelisz van Oostsanen (attributed), The Laughing Fool, c.1500–1510. Oil on panel. Rijksmuseum Twenthe, Enschede. In art some faces smile, and some rupture. Faces that split open into something older than laughter and far more dangerous. The Laughing Fool belongs among these ruptures. He greets the viewer not with the civility of portraiture but with … Continue reading The Laughing Maw: A Fool, His Blind Eye, and the Human Condition

The Queen in Two Pieces: Mary I, Embalming, and the Illusion of Dignity

I suppose I should confess at the outset that my interest in Queen Mary I’s embalming didn’t spring from some lofty academic impulse, but from years spent in the trade myself — years of sewing mouths shut, persuading stubborn limbs into positions they hadn’t attempted since the Thatcher era, and discovering that even the most … Continue reading The Queen in Two Pieces: Mary I, Embalming, and the Illusion of Dignity