Ans Herz geh’n – A Song That Refuses to Weep (and therefore breaks you anyway)

This song seized me by the lapels and demanded my tears like a debt collector at the door. It’s rare, subtle, infinitely dangerous – it simply stands at a distance, tips its hat, and in doing so undoes you entirely. Ans Herz geh’n is lethal. I didn’t understand a word of it when I first … Continue reading Ans Herz geh’n – A Song That Refuses to Weep (and therefore breaks you anyway)

L’amour de Pierrot – A Reflection on Dalí’s Love and Death

L’amour de Pierrot - Salvador Dalí (Spanish, 1904–1989). Public domain image, early 20th century. Some paintings laugh softly into the grave. L’amour de Pierrot, painted by the young Salvador Dalí before his moustache had fully declared war on convention, is such a piece. At first glance, it’s all sweetness and sentiment: two lovers - Pierrot … Continue reading L’amour de Pierrot – A Reflection on Dalí’s Love and Death

‘I Forgive’: A Widow at the Crossroads of Rage and Grace

There are phrases that ring through history like bells tolling in fog: ‘Et tu, Brute?’, ‘I have a dream,’ ‘Father, forgive them.’ Yesterday another such phrase was spoken - not in marble halls nor on the steps of Washington, but from a widow’s lips at her husband’s memorial service. Erika Kirk stood before the world, … Continue reading ‘I Forgive’: A Widow at the Crossroads of Rage and Grace

Wilde’s Salomé: A Decadent Dance with Death

It’s almost too neat that Salomé should have been written in French. The language of Baudelaire, Mallarmé, and decadence itself lent Wilde the perfect tongue for blasphemy dressed in silks. The Victorians expected their theatre to teach morality, to improve the soul, to extol duty. Wilde offered them instead a necrophilic waltz in candlelight, where … Continue reading Wilde’s Salomé: A Decadent Dance with Death