John Martin (1789–1854), Pandemonium, 1841.Oil on canvas. Tate Britain, London. Public domain. There are certain paintings before which I feel less a viewer and more a trespasser — a mortal who has wandered into a divine quarrel. John Martin’s Pandemonium (1841) is one such work. One scarcely enters it so much as one plummets into … Continue reading John Martin’s Pandemonium: A Sermon of Fire and Futility
Tag: painting
The Laughing Maw: A Fool, His Blind Eye, and the Human Condition
Jacob Cornelisz van Oostsanen (attributed), The Laughing Fool, c.1500–1510. Oil on panel. Rijksmuseum Twenthe, Enschede. In art some faces smile, and some rupture. Faces that split open into something older than laughter and far more dangerous. The Laughing Fool belongs among these ruptures. He greets the viewer not with the civility of portraiture but with … Continue reading The Laughing Maw: A Fool, His Blind Eye, and the Human Condition
An Allegory of Folly
Quentin Matsys, An Allegory of Folly (c.1510–1520, Musée du Louvre, Paris). Public domain. Folly, that eternal fool in mankind’s court, is rarely so vividly dressed as in Quentin Matsys’ An Allegory of Folly. Painted in the early sixteenth century, when Europe was still shaking off the medieval habit of believing its own sermons, this grotesque … Continue reading An Allegory of Folly
Night and Day: The Devil’s Auction and the Radiant Company
Otto Greiner (1869–1916), Die Feilbietung (The Sale), 1898. Lithograph, 25 × 20 cm. Public domain.The devil as auctioneer, mankind as eager bidder - Greiner’s vision of damnation is less warning than mirror, a Halloween reminder that we often sell ourselves far too cheaply. Night and day belong together. One can’t savour dawn without knowing what … Continue reading Night and Day: The Devil’s Auction and the Radiant Company
The Forest That Feels: On Doré’s Inferno and the Suicide of the Soul
Gustave Doré, Inferno, Canto XIII: The Forest of Suicides, 1866.Wood engraving for Dante Alighieri’s The Divine Comedy (public domain image). When I first looked at Doré’s Forest of Suicides, I thought of winter trees after a storm - those half-living skeletons that creak when the wind passes through, as if remembering they were once alive. … Continue reading The Forest That Feels: On Doré’s Inferno and the Suicide of the Soul