The Woman in the Wall: Madness, Marriage, and the Myth of Care

‘I’ve got out at last,’ said the woman behind the wallpaper. ‘And you can’t put me back.’ It begins, as all good horrors do, with a husband who means well. John is a physician, a man of reason and gentle authority, and therefore utterly unfit to understand his wife’s soul. He prescribes what men have … Continue reading The Woman in the Wall: Madness, Marriage, and the Myth of Care

The Trial of God – Faith, Silence, and the Prosecution of Heaven

The Trial of God is a courtroom drama in which the accused is the Almighty Himself, and the charge is silence. It’s not merely literature, but an act of theological rebellion, a Job rewritten for the smoke-stained century. Elie Wiesel, who survived the unspeakable and somehow found words anyway, didn’t write this work to comfort. … Continue reading The Trial of God – Faith, Silence, and the Prosecution of Heaven

The Misery: Whispering Ghosts and the Pistol on the Table

Adolf Werner (1862–1916), The Misery, c. 1900. Public domain. Some paintings merely decorate a wall, and some paintings accuse you from the other side of the room. Adolf Werner’s The Misery (c. 1900) is firmly in the second category. It doesn't flatter the parlour, nor charm the eye with pastoral pleasantries. It leans forward, ghost on shoulder, and … Continue reading The Misery: Whispering Ghosts and the Pistol on the Table