Haworth Churchyard photograph, John Stewart, c.1856–57. © Brontë Society. Sourced via annebronte.org. There’s a photograph - albumen print, sepia-toned, crisp with the shadows of headstones - that has set imaginations aflame for more than a century. It shows Haworth churchyard, with its lichen-bitten tombs and overhanging sky, a place where the dead vastly outnumber the … Continue reading A Ghost in the Glass: Charlotte Brontë and the Churchyard Photograph
Tag: psychology
How Much Land Does a Man Need? – Tolstoy’s Six-Foot Sermon
Tolstoy was always the moralist disguised as a storyteller. He couldn’t so much as describe a hayfield without planting in it a parable, and How Much Land Does a Man Need? is among his most ruthless little lessons. At its heart, it’s an absurdly simple tale: a peasant named Pahom believes that with just a … Continue reading How Much Land Does a Man Need? – Tolstoy’s Six-Foot Sermon
The Wooden Shadow: Laura Purcell’s Silent Companions and the Gothic of Hollow Lives
Laura Purcell’s The Silent Companions - a book which proves, if nothing else, that the Victorians couldn’t leave well enough alone. If it wasn’t séances or table-tipping, it was cardboard aristocrats painted to look like Aunt Mildred, propped up in drawing rooms like the world’s most unnerving IKEA mannequins. History assures us they were ‘decorative,’ … Continue reading The Wooden Shadow: Laura Purcell’s Silent Companions and the Gothic of Hollow Lives
The Beast of Gévaudan: Folklore in Fur, Politics in Fangs
Some creatures exist twice: once in the flesh, once in the imagination. Wolves, lions, demons, politicians - take your pick. In the wild hills of Gévaudan between 1764 and 1767, one such double-lived beast stalked the countryside. To the peasants it wasn’t simply a wolf, but la Bête - a monster, a terror, and an … Continue reading The Beast of Gévaudan: Folklore in Fur, Politics in Fangs
Strangers on a Train
The premise is diabolical in its elegance: two strangers meet, exchange idle talk, and one proposes a pact so grotesque it seems almost a joke. “You do my murder, I’ll do yours.” A child’s logic, but a murderer’s ingenuity. This was Patricia Highsmith’s debut novel in 1950, and like the serpent in Genesis, she slithered … Continue reading Strangers on a Train
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