The Scarlet Letter – Sin, Society, and the Theatre of Virtue

The Scarlet Letter is a work so suffused with moral intensity that even the commas seem to blush. Hawthorne’s Puritan New England is a place where daylight feels like cross-examination, and every whisper sounds like scripture. Sin, here, isn't merely an act — it’s a neighbourhood watch. The story begins, quite literally, with a symbol … Continue reading The Scarlet Letter – Sin, Society, and the Theatre of Virtue

The Devil in the Duomo: Reflections on the Monster of Florence

They say every paradise has a pit beneath it. Florence, for me, has always shimmered like a painted heaven — that impossible marriage between reason and rapture. As a child, I was bewitched by her domes and frescoes, the polished glow of Botticelli’s Venus, and the ghostly gaze of Savonarola who once tried to burn … Continue reading The Devil in the Duomo: Reflections on the Monster of Florence

Night and Day: The Devil’s Auction and the Radiant Company

Otto Greiner (1869–1916), Die Feilbietung (The Sale), 1898. Lithograph, 25 × 20 cm. Public domain.The devil as auctioneer, mankind as eager bidder - Greiner’s vision of damnation is less warning than mirror, a Halloween reminder that we often sell ourselves far too cheaply. Night and day belong together. One can’t savour dawn without knowing what … Continue reading Night and Day: The Devil’s Auction and the Radiant Company

Ashes of Defiance: Anne Askew and the Fire at Smithfield

“Many waters cannot quench love, neither can the floods drown it.” — Song of Solomon 8:7 History is littered with martyrs, but some rise from the ashes not as mournful relics, but as burning questions. Anne Askew — born in 1521 in Lincolnshire, unwilling wife, unyielding believer, and finally unwilling guest at Smithfield’s stake — … Continue reading Ashes of Defiance: Anne Askew and the Fire at Smithfield