Wilde’s Salomé: A Decadent Dance with Death

It’s almost too neat that Salomé should have been written in French. The language of Baudelaire, Mallarmé, and decadence itself lent Wilde the perfect tongue for blasphemy dressed in silks. The Victorians expected their theatre to teach morality, to improve the soul, to extol duty. Wilde offered them instead a necrophilic waltz in candlelight, where … Continue reading Wilde’s Salomé: A Decadent Dance with Death

Gaslight and Gossamer: Reflections on Iolanthe and the Art of British Satire

There’s something deliciously subversive about walking into a Victorian comic opera knowing full well that you are about to be lampooned, along with everyone else in the room. Iolanthe has always struck me as a peculiar miracle - one of those rare works of art that wears its mischief lightly, yet rests on a foundation … Continue reading Gaslight and Gossamer: Reflections on Iolanthe and the Art of British Satire

Bearing the Broken: Van Gogh’s Good Samaritan and the Art of Endurance

Art imitates life, or so I’m told, but in The Good Samaritan by Vincent van Gogh, life doesn’t just inspire the art - it bleeds into it. You can feel the strain in every brushstroke. This isn’t a tranquil tale of neighbourly virtue. This is what compassion looks like after the cameras stop rolling. After … Continue reading Bearing the Broken: Van Gogh’s Good Samaritan and the Art of Endurance