‘I Forgive’: A Widow at the Crossroads of Rage and Grace

There are phrases that ring through history like bells tolling in fog: ‘Et tu, Brute?’, ‘I have a dream,’ ‘Father, forgive them.’ Yesterday another such phrase was spoken - not in marble halls nor on the steps of Washington, but from a widow’s lips at her husband’s memorial service. Erika Kirk stood before the world, … Continue reading ‘I Forgive’: A Widow at the Crossroads of Rage and Grace

The Fires That Cleanse: On Purgatory, Scripture, and the Uneasy Middle

On the back of a rotten dream and a few following unsettled nights, I dragged just about every scriptural reference book I own out, blew off the dust, and began scratching out the following. It’s heavy but it’s worth the toil. I think. The Catholic doctrine of Purgatory has always been a scandal to the … Continue reading The Fires That Cleanse: On Purgatory, Scripture, and the Uneasy Middle

Wilde’s Salomé: A Decadent Dance with Death

It’s almost too neat that Salomé should have been written in French. The language of Baudelaire, Mallarmé, and decadence itself lent Wilde the perfect tongue for blasphemy dressed in silks. The Victorians expected their theatre to teach morality, to improve the soul, to extol duty. Wilde offered them instead a necrophilic waltz in candlelight, where … Continue reading Wilde’s Salomé: A Decadent Dance with Death

Gaslight and Gossamer: Reflections on Iolanthe and the Art of British Satire

There’s something deliciously subversive about walking into a Victorian comic opera knowing full well that you are about to be lampooned, along with everyone else in the room. Iolanthe has always struck me as a peculiar miracle - one of those rare works of art that wears its mischief lightly, yet rests on a foundation … Continue reading Gaslight and Gossamer: Reflections on Iolanthe and the Art of British Satire