Night and Day: The Devil’s Auction and the Radiant Company

Otto Greiner (1869–1916), Die Feilbietung (The Sale), 1898. Lithograph, 25 × 20 cm. Public domain.The devil as auctioneer, mankind as eager bidder - Greiner’s vision of damnation is less warning than mirror, a Halloween reminder that we often sell ourselves far too cheaply. Night and day belong together. One can’t savour dawn without knowing what … Continue reading Night and Day: The Devil’s Auction and the Radiant Company

The Forest That Feels: On Doré’s Inferno and the Suicide of the Soul

Gustave Doré, Inferno, Canto XIII: The Forest of Suicides, 1866.Wood engraving for Dante Alighieri’s The Divine Comedy (public domain image). When I first looked at Doré’s Forest of Suicides, I thought of winter trees after a storm - those half-living skeletons that creak when the wind passes through, as if remembering they were once alive. … Continue reading The Forest That Feels: On Doré’s Inferno and the Suicide of the Soul

L’amour de Pierrot – A Reflection on Dalí’s Love and Death

L’amour de Pierrot - Salvador Dalí (Spanish, 1904–1989). Public domain image, early 20th century. Some paintings laugh softly into the grave. L’amour de Pierrot, painted by the young Salvador Dalí before his moustache had fully declared war on convention, is such a piece. At first glance, it’s all sweetness and sentiment: two lovers - Pierrot … Continue reading L’amour de Pierrot – A Reflection on Dalí’s Love and Death

Blind Pew: A Study in Terror and Vision

Newell Convers Wyeth, Blind Pew (1911).A haunting illustration for Stevenson’s Treasure Island: the blind beggar strides down the moonlit lane, stick thrust forward, half-frail and half-fearsome - fate itself tapping towards us. In another life, back at home, whenever something went awry - a cup chipped, a tool gone missing, a mystery mischief no one … Continue reading Blind Pew: A Study in Terror and Vision