Watching the Empty Horizon: The Fisherman’s Widow, Mary Kelly, and Life’s Unforgiving Sea

The Fisherman’s Widow by Hendricus Jacobus Burgers (J.H. Burgers), as published in The Illustrated London News on 5 December 1868. When I first came across the story of that engraving – The Fisherman’s Widow – hanging in Mary Jane Kelly’s poky little room at 13 Miller’s Court, it hit me like a punch to the … Continue reading Watching the Empty Horizon: The Fisherman’s Widow, Mary Kelly, and Life’s Unforgiving Sea

A Geography of God and Other Small Mistakes

after Helen De Borchgrave’s A Journey Into Christian Art There are some errors, those plush little falsehoods, that sit in the drawing room of the modern mind, sipping tea and nodding along to themselves. They’re not lies, exactly. Lies require intention. These are something worse: assumptions so thoroughly digested that they pass for fact, like … Continue reading A Geography of God and Other Small Mistakes

John Martin’s Pandemonium: A Sermon of Fire and Futility

John Martin (1789–1854), Pandemonium, 1841.Oil on canvas. Tate Britain, London. Public domain. There are certain paintings before which I feel less a viewer and more a trespasser — a mortal who has wandered into a divine quarrel. John Martin’s Pandemonium (1841) is one such work. One scarcely enters it so much as one plummets into … Continue reading John Martin’s Pandemonium: A Sermon of Fire and Futility