There’s a peculiar kind of illness that has nothing to do with the body. It creeps in behind the eyes and presses down behind the ribs. It isn’t caused by lack of fresh air or poor hydration or an overlong breakfast. It’s spiritual, or at least — if that’s too much for polite company — … Continue reading The Swept Place: Why Some Churches Feel Wrong
Category: art-history
A Geography of God and Other Small Mistakes
after Helen De Borchgrave’s A Journey Into Christian Art There are some errors, those plush little falsehoods, that sit in the drawing room of the modern mind, sipping tea and nodding along to themselves. They’re not lies, exactly. Lies require intention. These are something worse: assumptions so thoroughly digested that they pass for fact, like … Continue reading A Geography of God and Other Small Mistakes
The Smiling Corroder
Illustration inspired by Goethe’s Faust I’ve always preferred my devils civilised. Not the horned livestock of Sunday-school murals, nor the pantomime villain with a pitchfork and a contract written in sulphur. Those devils are easy to spot, which is why they’re mostly harmless. The devil that troubles me — the one who lingers — is … Continue reading The Smiling Corroder
John Martin’s Pandemonium: A Sermon of Fire and Futility
John Martin (1789–1854), Pandemonium, 1841.Oil on canvas. Tate Britain, London. Public domain. There are certain paintings before which I feel less a viewer and more a trespasser — a mortal who has wandered into a divine quarrel. John Martin’s Pandemonium (1841) is one such work. One scarcely enters it so much as one plummets into … Continue reading John Martin’s Pandemonium: A Sermon of Fire and Futility
The Laughing Maw: A Fool, His Blind Eye, and the Human Condition
Jacob Cornelisz van Oostsanen (attributed), The Laughing Fool, c.1500–1510. Oil on panel. Rijksmuseum Twenthe, Enschede. In art some faces smile, and some rupture. Faces that split open into something older than laughter and far more dangerous. The Laughing Fool belongs among these ruptures. He greets the viewer not with the civility of portraiture but with … Continue reading The Laughing Maw: A Fool, His Blind Eye, and the Human Condition
Wording 