Watching the Empty Horizon: The Fisherman’s Widow, Mary Kelly, and Life’s Unforgiving Sea

The Fisherman’s Widow by Hendricus Jacobus Burgers (J.H. Burgers), as published in The Illustrated London News on 5 December 1868. When I first came across the story of that engraving – The Fisherman’s Widow – hanging in Mary Jane Kelly’s poky little room at 13 Miller’s Court, it hit me like a punch to the … Continue reading Watching the Empty Horizon: The Fisherman’s Widow, Mary Kelly, and Life’s Unforgiving Sea

A Very English Form of Possession – de la Mare’s, Seaton’s Aunt

I’ve always thought that the most frightening people don’t slam doors, rattle chains, or float about moaning like an amateur operatic chorus. They make the tea properly. They keep the house tidy. They speak softly. And they watch you. That’s why Seaton’s Aunt by Walter de la Mare unsettles me far more than any amount … Continue reading A Very English Form of Possession – de la Mare’s, Seaton’s Aunt

The Laughing Maw: A Fool, His Blind Eye, and the Human Condition

Jacob Cornelisz van Oostsanen (attributed), The Laughing Fool, c.1500–1510. Oil on panel. Rijksmuseum Twenthe, Enschede. In art some faces smile, and some rupture. Faces that split open into something older than laughter and far more dangerous. The Laughing Fool belongs among these ruptures. He greets the viewer not with the civility of portraiture but with … Continue reading The Laughing Maw: A Fool, His Blind Eye, and the Human Condition

The Naked Civil Servant: A Gospel According to Outrage

This book didn’t slip quietly into the world like a well-behaved parishioner. The Naked Civil Servant — Quentin Crisp’s scandalous act of cultural streaking, his autobiographical confession written with the dignity of a saint and the insolence of a man determined to rattle the tea trays of middle England. It’s a work so defiantly honest, … Continue reading The Naked Civil Servant: A Gospel According to Outrage