Down Below: Leonora Carrington’s Descent into the Furnace of the Mind

Leonora Carrington didn’t so much write a memoir as vomit out an apocalypse. Down Below isn’t autobiography in the polite sense, with polite sentences arranged like cutlery for an afternoon tea. It is, rather, the table turned over, the crockery smashed, and the cutlery embedded in the wallpaper. This slim, feverish account of her psychotic … Continue reading Down Below: Leonora Carrington’s Descent into the Furnace of the Mind

The Party on the Stairs: Ghosts in Petticoats and the Stumble of Innocence

Adelaide Sophia Claxton, The Party on the Stairs (c. 1875). Watercolour with bodycolour, 50 × 45 cm. Public domain. Image via Wikimedia Commons. The staircase is one of those odd places in a house where something uncanny always threatens to happen. One’s neither in the drawing room nor the bedroom, but somewhere in the thin … Continue reading The Party on the Stairs: Ghosts in Petticoats and the Stumble of Innocence

The Ghost That Wasn’t There: On Hughes Mearns’ Antigonish

“Yesterday, upon the stair, I met a man who wasn’t there.” Thus begins one of the most famous fragments of verse ever to slip through the cracks of English literature - part nursery rhyme, part ghost story, part psychological confession. Hughes Mearns’ Antigonish (1899) was written in the playful spirit of nonsense, yet like all … Continue reading The Ghost That Wasn’t There: On Hughes Mearns’ Antigonish

A Ghost in the Glass: Charlotte Brontë and the Churchyard Photograph

Haworth Churchyard photograph, John Stewart, c.1856–57. © Brontë Society. Sourced via annebronte.org. There’s a photograph - albumen print, sepia-toned, crisp with the shadows of headstones - that has set imaginations aflame for more than a century. It shows Haworth churchyard, with its lichen-bitten tombs and overhanging sky, a place where the dead vastly outnumber the … Continue reading A Ghost in the Glass: Charlotte Brontë and the Churchyard Photograph