‘I Forgive’: A Widow at the Crossroads of Rage and Grace

There are phrases that ring through history like bells tolling in fog: ‘Et tu, Brute?’, ‘I have a dream,’ ‘Father, forgive them.’ Yesterday another such phrase was spoken - not in marble halls nor on the steps of Washington, but from a widow’s lips at her husband’s memorial service. Erika Kirk stood before the world, … Continue reading ‘I Forgive’: A Widow at the Crossroads of Rage and Grace

Dreams That Wander Too Far: From Plato to The Further

Cinema, despite its thunderous claims to originality, is in truth a great necromancer. It raises the dead more often than it invents the living, and its spirits wear borrowed costumes even when paraded as new. When James Wan and Leigh Whannell conjured Insidious, they weren’t scribbling out some pristine mythology in a Hollywood boardroom but … Continue reading Dreams That Wander Too Far: From Plato to The Further

The Fires That Cleanse: On Purgatory, Scripture, and the Uneasy Middle

On the back of a rotten dream and a few following unsettled nights, I dragged just about every scriptural reference book I own out, blew off the dust, and began scratching out the following. It’s heavy but it’s worth the toil. I think. The Catholic doctrine of Purgatory has always been a scandal to the … Continue reading The Fires That Cleanse: On Purgatory, Scripture, and the Uneasy Middle

Wilde’s Salomé: A Decadent Dance with Death

It’s almost too neat that Salomé should have been written in French. The language of Baudelaire, Mallarmé, and decadence itself lent Wilde the perfect tongue for blasphemy dressed in silks. The Victorians expected their theatre to teach morality, to improve the soul, to extol duty. Wilde offered them instead a necrophilic waltz in candlelight, where … Continue reading Wilde’s Salomé: A Decadent Dance with Death