Gaslight and Gossamer: Reflections on Iolanthe and the Art of British Satire

There’s something deliciously subversive about walking into a Victorian comic opera knowing full well that you are about to be lampooned, along with everyone else in the room. Iolanthe has always struck me as a peculiar miracle - one of those rare works of art that wears its mischief lightly, yet rests on a foundation … Continue reading Gaslight and Gossamer: Reflections on Iolanthe and the Art of British Satire

Through Darkness, Light: A Reflection on Helen Keller

I sometimes wonder how many of our modern idols would survive without their filters. Strip away the stage-managed profiles, the publicists, the polished platitudes - and what are we left with? Often, very little. But every now and then, we encounter a figure whose inner world shines even brighter than their public image. Helen Keller … Continue reading Through Darkness, Light: A Reflection on Helen Keller

“Drop, Drop, Slow Tears” – A Meditation in the Margins

By a hopeless penitent with a bookshelf and a leaky conscience At the opening of Elizabeth Gaskell’s Ruth, before we meet the orphaned seamstress or the soft-hearted Bensons, we are met with tears. Not sentimental ones, but slow, penitential tears - each drop a silent argument for mercy. The chosen epigraph, “Drop, drop, slow tears”, … Continue reading “Drop, Drop, Slow Tears” – A Meditation in the Margins